For the Crocodile of the month, we ask you to look at the title page (ignore the beautiful ink blot by the imprint) and colophon of this book in relation to its call number STC 4811. Is there something a bit unusual here?
As always, leave your guesses in the comments and we’ll be back next week with the answer.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
The fourth and final part of the blog post written by the members of the “What Acting Is” seminar.
Part one (Textuality) is here. Part two (Temporality) is here.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
Part three of the blog post written by the members of the “What Acting Is” seminar.
Part one (Textuality) is here. Part two (Temporality) is here.
Mentality
“There is no subtext in Shakespeare,” said Akeem Davis.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
Part two of the blog post written by the members of the “What Acting Is” seminar.
Part one (Textuality) is here.
Temporality
Theatre, we agreed at the outset, is the art of now.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
The actors are come hither, my lord.
(Hamlet, 2.2.416)
The twelve members of the recently-concluded Folger Institute seminar “What Acting Is” worked together for ten weeks to develop an actor-centered criticism of Shakespeare.… Continue Reading
Folger X.c.92 (3) is my new favorite manuscript: it’s a letter written in Paris that single-handedly demonstrates the fact that “new style” dates refer to two different calendar modernizations. One modernization has to do with the Christian calendar’s reckoning of “the year of our Lord.” The other relates to the Julian calendar having gradually become ten days behind the seasonal year thanks to its miscalculation that a leap year is needed every four years, no exceptions.… Continue Reading
Our Crocodile mystery last week showed some crocodile tears, but the exciting part is just below our sad reptile. This illustrated Italian ducal motto is from Symbola divina & Humana pontificum, imperatorum, regum, by Jacob Typot (Frankfurt, 1652)—and you can get up close to the image in the new Miranda platform.
Those who study early modern materials—images, books, and manuscripts—often want to get a closer look at our digital images.… Continue Reading
In February, our crocodile mystery involves a few real crocodile tears. For this month’s mystery, we ask you look at the image below and let us know if you can guess what the symbols mean for the future of this unhappy reptile.… Continue Reading
A guest post by Isaac Stephens
Are you a person who makes sure to have all your proverbial ducks in a row, everything meticulously planned out before you engage in a project, make your goals a reality, or depart on a trip? Or rather, are you someone who goes wherever the winds take you, your curiosity and openness to the unexpected prompting you to create things, to reap the rewards of a dream attained, or to traverse the globe?… Continue Reading
Folger manuscripts W.b.110 and W.b.111 are an oddly mis-matched pair. W.b.110 is nearly 46cm tall (almost 18 inches, for those playing along at home) and nearly 160 leaves, while W.b.111 is a good 10cm shorter and about a third the length. But both have nearly identical titles in our catalog: “Bills and receipts for the wardrobe, stage properties, writings and printing” (W.b.111 adds that they were “used in productions of Shakespearean and other plays” but the same is true of the contents of W.b.110 as well).… Continue Reading
