The Collation

Research and Exploration at the Folger

Folger files; or, a fetch-quest come to life

“MS. corrections to the text, by the author (Folger files).” Such an innocuous note in the Folger copy note field of the record for our second copy of Philip Massinger’s The Bond-man (STC 17632). Meaghan Brown, the Folger’s CLIR Fellow, came across it while doing a survey of our collection of early modern drama. There are hundreds of notes like it in Hamnet.… Continue Reading

Keeping your Jesus and Judas straight

Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: As two commentators simultaneously identified the mystery, the image shows a well-known misprint from the 1610 Geneva Bible (STC 2212) in John 6:67, in which instead of Jesus speaking to the apostles, Judas is identified as the speaker.… Continue Reading

“What manner o’ thing is your crocodile?” April 2015

Our crocodile series was disrupted by the work that went into creating the Folger’s new website, but we’re back in action this month with a perhaps appropriately timed mystery item: It’s just a snippet of thing, but leave your comments below and come back for the discussion of its mystery tomorrow!… Continue Reading

Q & A: Caroline Duroselle-Melish, Curator of Early Modern Books and Prints

In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections in university and independent rare book libraries, including serving as Rare Book Librarian at the University of Rochester and, most recently, as Assistant Curator at the Houghton Library, Harvard University.… Continue Reading

Taming a tight binding

You know how some old bindings gently let a book stay open on its own, at a comfortable angle? And how other old bindings seem to willfully resist, taunting you by starting to close just as you get the book weights perfectly arranged? This post introduces a simple tool that can help tame those tight bindings: a V-shaped wedge of lightweight plastic.… Continue Reading

“I see it feelingly”: a raised-type King Lear

For many of the books in our collection, an unassuming cover can turn out to protect a fascinating text block. What makes this one unusual is the discovery, upon opening the cover, that this book is meant to be read not with the eyes, but with the fingertips! (Luckily for my unpracticed digits, it’s also fairly easy to interpret the type visually.) This 1871 edition of King Lear (Sh.Col.… Continue Reading

Pi(e) day, represented

March 14th is Pi(e) Day, and this year we get an extra two digits (this year’s date being, in the American style, 3/14/15, taking us through the first 5 digits of pi). While many people (including our culinarily-inclined staff here at the Folger) celebrate this day with sweet (and not-so-sweet) pastries, I wanted to bring the day back to its roots, and explore the mathematical side of Pi Day.… Continue Reading

Early modern eyebrow interpretation, or what it means to have a unibrow

While showing the Researching the Archive seminar some examples of manuscript receipt books a couple of weeks ago (randomly selected after doing a quick “form/genre” in Hamnet on the genre terms “Medical formularies” and “Cookbooks”), I was tickled to come across a section of Folger MS V.a.438 devoted to physiognomical characteristics; that is, an analysis of physical features of the face and head as they relate to a person’s character. … Continue Reading

“This Play I Red” and other marginal notes on reading

A guest post by Claire M. L. Bourne As a long-term fellow at the Folger Shakespeare Library this year, I have been surveying all the English playbooks in the collection—from 1500 to 1709—in order to understand changing conventions of dramatic typography over the first two centuries of printing plays. This is slow, painstaking work, but it is showing me that early modern typographic experimentation was often keyed to innovations in theatrical performance.… Continue Reading

EMMO: advancing and expanding

During the last few months, the Early Modern Manuscripts Online (EMMO) project has been gathering strength and reaching farther both inside the Folger Shakespeare Library and outside to individuals and organizations. These actions have translated into the passing of several key milestones, and members of the EMMO team are very excited about what this progress promises for 2015 and beyond. The Advanced Early Modern English Paleography Workshop, sponsored by EMMO and the Folger Institute in mid-December 2014 was a great success, with 16 early modern scholars from near and far joining together for a whirlwind week of transcribing activity.… Continue Reading