Many thanks for your answers to last week’s post. They convey the puzzling nature of this title page border: Is it an unfinished work? Was it intended to be completed by readers of the book? Does it look different in other copies? To our eyes, indeed, the border design may look incomplete: the figures in the foreground, which we would expect to be highly finished, are either barely ‘legible’, suggested or simply not worked out.… Continue Reading

A guest post by Sujata Iyengar Typography—the design of individual printed letter-shapes—makes printed books easier to read, and it can also shape our understanding and experience of the text and the content that an individual book contains. At first, early printed books imitated the layout and typography of scribal manuscripts. As this new medium—print—matured, however, printers, and even authors, learned how to use the affordances, or media-specific qualities, of printed sheets in order to indicate what kind of book they were creating, what kind of audience they were seeking, and even what kind of emotion they wished to evoke.… Continue Reading