The Collation

Research and Exploration at the Folger

How an 18th-century clergyman read his Folio

The Folger Shakespeare Library has never acquired another copy of a Shakespeare Folio since the Folgers’ time—until now. We recently added number 38 to our collection of Fourth Folios (S2915 Fo.4 no.38). Published in 1685, this was the last of the four great printings of Shakespeare’s collected plays during the 17th century. It was followed in 1709 by the first “modern” edition, by Nicholas Rowe, who followed the Fourth Folio text but added scene divisions, stage directions, and a character list (dramatis personae) for each play.… Continue Reading

Golden quills and paleography skills

In my last post about EMMO‘s progress, I briefly mentioned Practical Paleography or “PracPaleo,” our intentionally relaxed, no-registration-required introduction to transcribing secretary hand for readers and staff at the Folger Shakespeare Library. This time around, I thought it would be interesting to share some of the notable and versatile results of this new initiative. Since paleography has usually been taught at the Folger in an intensive, controlled class format—a group of regular participants meeting on a set schedule—this series of ten one-hour sessions, each one optional, meeting every other week with an always changing set of participants was a bit of an experiment to see how—or if—paleography could work in such a decidedly different configuration.… Continue Reading

Correcting with cancel slips

correcting 4 lines (STC 25286; sig. 1[8]r)Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the last week with cancel slips on my mind—those pieces of papers that are pasted in to correct printing mistakes. Once you start looking, you can find cancel slips in a huge range of uses and states.… Continue Reading

Folger files; or, a fetch-quest come to life

“MS. corrections to the text, by the author (Folger files).” Such an innocuous note in the Folger copy note field of the record for our second copy of Philip Massinger’s The Bond-man (STC 17632). Meaghan Brown, the Folger’s CLIR Fellow, came across it while doing a survey of our collection of early modern drama. There are hundreds of notes like it in Hamnet.… Continue Reading

Keeping your Jesus and Judas straight

Co-written by Sarah Werner and Mitch Fraas One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen: the typo in the 1610 Geneva Bible (STC 2212) in John 6:67, with “Iudas” instead of Jesus As two commentators simultaneously identified the mystery, the image shows a well-known misprint from the 1610 Geneva Bible (STC 2212) in John 6:67, in which instead of Jesus speaking to the apostles, Judas is identified as the speaker.… Continue Reading

“What manner o’ thing is your crocodile?” April 2015

Our crocodile series was disrupted by the work that went into creating the Folger’s new website, but we’re back in action this month with a perhaps appropriately timed mystery item: what manner of thing is this? It’s just a snippet of thing, but leave your comments below and come back for the discussion of its mystery tomorrow!… Continue Reading

Q & A: Caroline Duroselle-Melish, Curator of Early Modern Books and Prints

In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections in university and independent rare book libraries, including serving as Rare Book Librarian at the University of Rochester and, most recently, as Assistant Curator at the Houghton Library, Harvard University.… Continue Reading

Taming a tight binding

You know how some old bindings gently let a book stay open on its own, at a comfortable angle? And how other old bindings seem to willfully resist, taunting you by starting to close just as you get the book weights perfectly arranged? This post introduces a simple tool that can help tame those tight bindings: a V-shaped wedge of lightweight plastic.… Continue Reading

“I see it feelingly”: a raised-type King Lear

For many of the books in our collection, an unassuming cover can turn out to protect a fascinating text block. What makes this one unusual is the discovery, upon opening the cover, that this book is meant to be read not with the eyes, but with the fingertips! (Luckily for my unpracticed digits, it’s also fairly easy to interpret the type visually.) the title page of an 1871 raised-type King Lear This 1871 edition of King Lear (Sh.Col.… Continue Reading

Pi(e) day, represented

March 14th is Pi(e) Day, and this year we get an extra two digits (this year’s date being, in the American style, 3/14/15, taking us through the first 5 digits of pi). While many people (including our culinarily-inclined staff here at the Folger) celebrate this day with sweet (and not-so-sweet) pastries, I wanted to bring the day back to its roots, and explore the mathematical side of Pi Day.… Continue Reading

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