For June’s crocodile mystery, something made us chuckle in this image. What is it?
Leave your guesses below and we’ll be back with the answer next week.… Continue Reading
Sarah Bernhardt is, for many, synonymous with the melodramatic.
One of the most well-known and celebrated actresses of the late-19th and early-20th centuries, she was described by contemporaries as “indefatigable;” “an actress without a rival;” and “a queen of art.” Actor Sir Herbert Tree called her, simply, “the greatest woman I have ever known.” She was so iconic, some referred to her as “the Bernhardt” or “the divine Sarah.” Critics commented on her “glorious” voice (“soft and deep, and capable of infinite modulation…”) and her “long, catlike step.”
It is not a stretch to say that she transfixed the theatrical world entirely.… Continue Reading
As we all adjust to social distancing and teleworking, I have been reflecting on similar disruptions at the Folger during World War II. And in that vein, I would like to share with Collation readers the story of Uncle Henry’s Pipers—a short-lived recorder quartet—as revealed by ephemera and correspondence in the Folger’s Institutional Archives.
The recorder was a popular instrument with minstrels and the upper class in the early modern world.… Continue Reading
A guest post by Stephen Grant
Similar to First Folger Director William Adams Slade, Part II, Part III will be deltiological in only one instance, as we continue to examine connections between Folgers and Slades (for readers seeking more deltiological content, Part I should fulfill those wishes). Closing this series on William Adams Slade, we are able to present a kaleidoscopic picture of the little-known first director of the Folger by drawing from a variety of sources: Mr.… Continue Reading
A guest post by Drew Thomas
Among the many collections at the Folger, besides its magnificent Shakespeare Collection, is the Stickelberger Collection of Reformation Tracts. This valuable collection, purchased by the Folger in 1977, was compiled by the Swiss writer and collector Emmanuel Stickelberger (1884-1962). Combined with the previously acquired collection of Reformation pamphlets from the library of Sir Thomas Phillips (1792-1872), the Folger’s Reformation holdings make it a leading center of Reformation resources in North America.… Continue Reading
Thank you for your guesses on this month’s crocodile mystery. The leaf pictured here shows text from the Litany printed in red. The blank space is where the text in black would have been printed in a second press run.
This leaf belongs to a set of four flyleaves—each with text from the Litany printed in red on one side only—located in the binding of a copy of The Image of Gouernance translated from the Greek by Thomas Eliot and printed by Thomas Berthelet in 1544.… Continue Reading
Welcome to the May Crocodile Mystery! Take a look at this image:
This sheet has been used as endpaper in a book (the image has been rotated to make the text more legible) but can you guess to what it was intended to be part of and used for?
Leave your guesses in the comments below, and we’ll be back next week with more information!… Continue Reading
The About page for this blog declares that The Collation “seeks to present bite-sized glimpses of the materials found within our walls.” That’s a bit tricky at the moment: like most of the rest of the Folger staff, I haven’t had a glimpse within those walls since March 13, when we began teleworking to help slow the spread of COVID-19. The District of Columbia is now under a stay-at-home order so I can’t even glimpse the outside of those walls.… Continue Reading
A guest post by Bénédicte Miyamoto
Are these manuals I spy in the workshop?
It is impossible to read the spines of the books in the illustration of an artist’s workshop in Salomon de Caus’s 1612 La perspectiue: auec la raison des ombres et miroirs. They are stored in early-modern fashion, with their fore-edges facing outward. Was their content actually taught in the workshop?… Continue Reading
… corners, clasps (and other interesting metal parts of a book)!
A guest post by Dawn Hoffmann
What makes these little (and some not so tiny) metal parts so intriguing? Why were they put on these books and who might have made them? How did the artisans get the materials and tools to make them? What kinds of metal are the pieces made of?… Continue Reading
