This month’s Crocodile mystery is about an engraving. What do you think are the wavy lines on this print?… Continue Reading
But upon the table—oh joy! the tailor gave a shout—there, where he had left plain cuttings of silk—there lay the most beautifullest coat and embroidered satin waistcoat that ever were worn by a Mayor of Gloucester. There were roses and pansies upon the facings of the coat; and the waistcoat was worked with poppies and corn-flowers.
Beatrix Potter, The Tailor of Gloucester, 1903
On opening one of our new acquisitions, a bible in a fine Restoration binding, bound with a copy of the Book of Common Prayer and the Whole Book of Psalms, all I could think of was this scene from Beatrix Potter’s Tailor of Gloucester.… Continue Reading
A guest post by Dr. Nigel Smith
I am writing a transnational history of early modern European literature. Our inherited history of the different early modern vernacular languages and their literatures was fashioned through the lens of the 19th-century and earlier 20th-century nationalism, and this story is one of how each literature descended from the Greek and Roman classics via the Italian Renaissance.… Continue Reading
Many of us have repeated the assertion that writing paper in early modern England was expensive and scarce, but it has always bothered me. After hearing this fairly regularly in response to two common questions —“Why did people write on the endleaves of printed books?” and “Why are there no ‘Shakespeare manuscripts’?”—I started keeping track of paper prices in account books and bills and receipts to see if this was actually true.… Continue Reading
The Folger Institute and the North American Conference on British Studies (NACBS) are delighted to announce a new fellowship for scholars of the British world who are working on topics from the early modern period through to the present day. While the Folger has long been a destination for early modernists, our hope is that its extraordinary eighteenth-, nineteenth-, twentieth-, and twenty-first-century collections will now become more visible to scholars of modern Britain and the British Empire.… Continue Reading
As several philatelically-astute readers quickly identified, the portrait of Shakespeare shown in last week’s Crocodile mystery is from a stamp!
These one shilling stamps were issued annually for a number of years at the turn of the 20th century. Each stamp used the same image of Shakespeare, a depiction loosely adapted from his memorial in the Holy Trinity Church in Stratford-upon-Avon, printed in a different color each year.… Continue Reading
