The Collation

Research and Exploration at the Folger

An Introduction to Web Archiving at the Folger

As a resident Digital Archivist at the Folger, I’ve been tasked with the management of Folger web archiving efforts. Now, you might be asking: what is web archiving exactly? The International Internet Preservation Consortium (IIPC) defines web archiving as the process of “collecting portions of the World Wide Web, preserving the collections in an archival format [most often via the WARC file format], and then serving the archives for access and use.” There are a number of ways to achieve this: from home-grown technical processes relying on a combination of open-source tools, to a number of vendor options which package popular web collecting and organization methods into one service.… Continue Reading

u/v, i/j, and transcribing other early modern textual oddities

When you’re encountering early modern texts for the first time, you might be surprised not only that they use such variable spelling (heart? hart? harte?) but they seem to use the wrong letters in some places. And then there are funny abbreviations! Even adept readers of early texts might stumble when it comes to making sense of some of this, especially when faced with producing transcriptions.… Continue Reading

V and U in 17th-century Flemish book titles

For many years bibliographers in Flanders have been speculating about the use of “V” in the place of “U” on title pages of early modern hand-press books. For the occasion of this blog post, I decided “TO TAKE VP THE GAVNTLET” in figuring out whether my friend Diederik Lanoye was right when he insisted that “everything happened in the sixties!” When it comes to books printed in Flanders, we all agree that title pages from the beginning of the 17th century have a different disposition than those printed a century later.… Continue Reading

An example of early modern English writing paper

The crocodile posted on Friday was correctly identified by Philip Allfrey as a watermark of Queen Elizabeth’s arms encircled by the Garter. In his comments, Mr Allfrey provided a useful account of how he identified the watermark and the letter on which it appears. He also went the extra mile and used various Folger databases and the Gravell Watermark Archive to identify the papermaker, John Spilman!… Continue Reading


See the 1960s Royal Shakespeare Company, now at the Folger!

Want to see Patrick Stewart in his mid-20s? How about photos of set design models for Peter Hall’s 1959 Coriolanus, starring Laurence Olivier? Come see the Folger’s newly acquired Gordon Goode Collection of Royal Shakespeare Company photographs. Gordon Goode (1931–2008) ran a freelance photography studio in Stratford-upon-Avon between 1958 and 1968, the decade that coincided with the formative years of the Royal Shakespeare Company.… Continue Reading