The Collation

Research and Exploration at the Folger

Uncancelling the cancelled: recovering obliterated owners of old books

Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Despite the parallel hatching that was used to conceal it, two Collation readers immediately identified Humphrey Dyson’s distinctive signature. The item note in the Hamnet record describes it as “inscription on t.p. crossed out and illegible,” but watch this space—Folger catalogers will soon update the record to reflect the fact that An answer to the vntruthes : published and printed in Spaine, in glorie of their supposed victorie atchieued against our English Nauie… (London: John Jackson for Thomas Cadman, 1589) was once part of Dyson’s library of 2,000 titles and roughly 6,000 broadsides.… Continue Reading


Almanacs as Underdogs

A guest post by Katherine Walker The Folger houses many impressive texts and manuscripts. So much so, in fact, that it is easy to overlook the library’s equally vast and provocative collection of less illustrious genres. These texts will not require heavy lifting or elaborate stands. No one will likely toss an envious glance your way as you peruse these uninspired quartos in the reading rooms.… Continue Reading

SAA? FSL!

UPDATE: The Reading Room will be open from 9 am – 4:30 pm on Saturday, April 20, 2019. Please note that the docent-led public tour of the space will still take place from noon to 1pm, as usual, so researchers who would find that disturbing are advised to plan a lunch break accordingly. Are you attending the Shakespeare Association of America’s 2019 annual conference in Washington D.C.… Continue Reading

Accounting for Relationships: the Drury Lane Financial Records

A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds a wealth of financial records for the major theatres of 18th- and 19th-century London, and particularly for Drury Lane. Judith Milhous has provided an excellent overview of surviving financial records, and their utility for theatre historians.… Continue Reading

What is the scope of the STC?

John Lancaster’s guess for March’s crocodile post is correct: This catechism, printed in Basel by Andreas Gesner, has an STC number because it follows the use of Salisbury; it therefore belongs to the group of books not in English printed abroad “according to British ‘use’” described in Katharine Pantzer’s introduction to the second edition of the Short-Title Catalogue of Books Printed in England, Scotland, and Ireland, and of English Books Printed Abroad (STC).… Continue Reading