In my last post about EMMO‘s progress, I briefly mentioned Practical Paleography or “PracPaleo,” our intentionally relaxed, no-registration-required introduction to transcribing secretary hand for readers and staff at the Folger Shakespeare Library. This time around, I thought it would be interesting to share some of the notable and versatile results of this new initiative.
Since paleography has usually been taught at the Folger in an intensive, controlled class format—a group of regular participants meeting on a set schedule—this series of ten one-hour sessions, each one optional, meeting every other week with an always changing set of participants was a bit of an experiment to see how—or if—paleography could work in such a decidedly different configuration.… Continue Reading
Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the last week with cancel slips on my mind—those pieces of papers that are pasted in to correct printing mistakes. Once you start looking, you can find cancel slips in a huge range of uses and states.… Continue Reading
“MS. corrections to the text, by the author (Folger files).” Such an innocuous note in the Folger copy note field of the record for our second copy of Philip Massinger’s The Bond-man (STC 17632). Meaghan Brown, the Folger’s CLIR Fellow, came across it while doing a survey of our collection of early modern drama. There are hundreds of notes like it in Hamnet.… Continue Reading
Co-written by Sarah Werner and Mitch Fraas
One might think that when printing the New Testament, one would want to avoid at all costs mixing up Jesus and Judas. However, this month’s crocodile shows that such mistakes did happen:
As two commentators simultaneously identified the mystery, the image shows a well-known misprint from the 1610 Geneva Bible (STC 2212) in John 6:67, in which instead of Jesus speaking to the apostles, Judas is identified as the speaker.… Continue Reading
Our crocodile series was disrupted by the work that went into creating the Folger’s new website, but we’re back in action this month with a perhaps appropriately timed mystery item:
It’s just a snippet of thing, but leave your comments below and come back for the discussion of its mystery tomorrow!… Continue Reading
In January, Caroline Duroselle-Melish joined the Folger as the new Andrew W. Mellon Curator of Early Modern Books and Prints, a position that gives her responsibility over books and prints through 1800. She has worked with a wide range of collections in university and independent rare book libraries, including serving as Rare Book Librarian at the University of Rochester and, most recently, as Assistant Curator at the Houghton Library, Harvard University.… Continue Reading
