The Collation

Research and Exploration at the Folger

This Post Stinks, or, ‘I hope that the stuff will not smell too vilely’

January 19, 2021 | By Rachel B. Dankert

John Masefield has a burning question he needs answered. Literally. Writing from his home Hill Crest in Boar’s Hill, Oxford, the Poet Laureate asks theater production veteran Allan Wade a crucial question about staging his home theatrical production of Macbeth. He registers a particular anxiety about the potential for stinking up the place—and not with bad acting. Dear Wade, The basket of dresses has reached me safely; many thanks for it.… Continue Reading

Touching Tusser

January 12, 2021 | By Guest Author

A guest post by Andy Crow “As to the bindings, the plain crushed levant looks all right, but when you send me my copy, I would like it, please, in sheep—about the tint of a ripe chestnut. That is fittest for Tusser.” Rudyard Kipling, “Benediction” to Thomas Tusser, Five Hundred Points of Good Husbandry (London: James Tregaskis & Son, 1931) Rudyard Kipling’s request for a sheepskin-bound copy of Thomas Tusser’s Five Hundred Points of Good Husbandry was a request for a piece of the land.… Continue Reading

Using cardboard spacers to fill gaps on the shelf

January 5, 2021 | By Erin Blake

Sometimes the simplest tools are the best. This post is a tribute to the humble hunk of folded cardboard. You know how when you take a book off the shelf, you stare at the empty space for a fraction of a second, waiting to see if the books on either side stay standing-up? You know the heart-sick feeling of having them start to schlumph before you have time to set the first book down and stick your arm back into the gap?… Continue Reading

The Art of the Prompt Book

December 22, 2020 | By Elizabeth DeBold

Most library visitors to the Folger expect us to have books in our collections. Some know that we also have art, manuscripts, and even objects. Yet, any exploration into our collections means that researchers will inevitably encounter an item that could be described as including printed, manuscript, and even artistic content, all in one. Heather Wolfe has eloquently described such “hybrid” materials as “consist[ing] of a mixture of thematically-connected printed, manuscript, and graphic material gathered from a variety of sources into a single binding.”… Continue Reading

Postcards in the (home) archive: Brenda Putnam and Puck

December 15, 2020 | By Guest Author

a guest post by Stephen Grant This post, Dear Readers, is divided into three parts:  3 Kodak AZO postcards of Puck statue 3 Meriden Gravure Co. postcards of Puck statue 1 photograph of Brenda Putnam, Puck sculptor We start with 2 cards printed on Kodak AZO paper, similar to the ones of the 9 Gregory bas-reliefs you examined before.  What differences do we see between the two picture sides, Fig.… Continue Reading