The Collation

Research and Exploration at the Folger

SAA? FSL!

Are you attending the Shakespeare Association of America’s 2019 annual conference in Washington D.C. this April? If you are, the Folger Shakespeare Library would like to invite you to research with us during your time here! Your scholarship and our collection go hand in hand—we look forward to welcoming you to the Folger. Research with us! We want to help make your research visit easy and productive.… Continue Reading

Accounting for Relationships: the Drury Lane Financial Records

A guest post by Chelsea Phillips With the cherry trees blooming (almost), the sun shining (sometimes), and tax season looming, there is no more delightful time to consider the vagaries of 18th-century theatrical accounting practice. The Folger Shakespeare Library holds a wealth of financial records for the major theatres of 18th- and 19th-century London, and particularly for Drury Lane. Judith Milhous has provided an excellent overview of surviving financial records, and their utility for theatre historians.… Continue Reading

What is the scope of the STC?

John Lancaster’s guess for March’s crocodile post is correct: This catechism, printed in Basel by Andreas Gesner, has an STC number because it follows the use of Salisbury; it therefore belongs to the group of books not in English printed abroad “according to British ‘use’” described in Katharine Pantzer’s introduction to the second edition of the Short-Title Catalogue of Books Printed in England, Scotland, and Ireland, and of English Books Printed Abroad (STC).… Continue Reading

“What manner o’thing is your crocodile?”: March 2019

For the Crocodile of the month, we ask you to look at the title page (ignore the beautiful ink blot by the imprint) and colophon of this book in relation to its call number STC 4811. Is there something a bit unusual here? As always, leave your guesses in the comments and we’ll be back next week with the answer.… Continue Reading

Come Hither, Actors / Physicality

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York The fourth and final part of the blog post written by the members of the “What Acting Is” seminar. Part one (Textuality) is here. Part two (Temporality) is here.… Continue Reading

Come Hither, Actors / Mentality

A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York Part three of the blog post written by the members of the “What Acting Is” seminar. Part one (Textuality) is here. Part two (Temporality) is here. Mentality “There is no subtext in Shakespeare,” said Akeem Davis.… Continue Reading