One of the most important physical aspects of our collection is the very paper on which the books, manuscripts, and drawings were created. Unsurprisingly, we’ve had quite a few posts on this topic! This week, we invite you to take a look at some of them:
Learning to “Read” Old Paper—what’s the difference between laid and woven paper anyway? Find out!… Continue Reading
Posts Categorized: Uncategorized
A guest post by Stephen Grant
My first descent into the underground vault took place in 2007 during a short-term Folger fellowship. Since a Summer Retrospective is the order of the day with The Collation, I should like to acknowledge the Feb. 16, 2012 post honoring fellowship administrator, Carol Brobeck. With a tape measure stuffed into a side pocket, I trailed Betsy Walsh, head of reader services, as she led me to yards of shelving supporting dozens of gray archival boxes 10 x 13 x 4” laid out horizontally that formed the Folger Collection she called “Folger Coll.” The Sept.… Continue Reading
Eyebrow shaping has been a thing for a long time. Including in the early modern period. Another one of our favorite posts from the past comes from the time when Heather Wolfe found a whole section on eyebrows in one of our manuscripts. Curious to learn more? Read all about it in Early modern eyebrow interpretation, or what it means to have a unibrow… Continue Reading
If you’ve ever been confused by the differences between woodcuts, engravings, and etchings, clearly you’re not alone! This post by Erin Blake, from 2012, is perennially one of our most popular. So in case you missed it the first time around, take a look at Woodcut, engraving, or what?… Continue Reading
Happy summer, everyone! (Or happy winter, if you’re in the southern hemisphere!)
From now until the end of August, we’re going to be doing a summer retrospective here on The Collation, highlighting some of our past posts. This blog has been around for eight (8!) years now, so we’ve got quite the pool to choose from!
To start off, let us take you back to where this all began, with our very first post from August 2011: Welcome to The Collation
We hope you enjoy these looks back into some of our favorite content, while we prepare to bring you even more new posts in the future.… Continue Reading
“What is that?” someone asks, pointing to the corner of one of the books open for display.
“This? Oh, it’s a book snake. Most useful object in the library!” I reply.
This conversation happens once in nearly every book display I do. People are fascinated by these little objects that are so ubiquitous in a special collection reading room that many of us hardly notice them.… Continue Reading
A guest post by Simon Newman
His name was Quoshey [sic], an Akan day name that tells us he was quite likely born on a Sunday on the Gold Coast of West Africa. But on Christmas Day 1700 Quashey was a frightened teenager who was a long, long way from home, as this short newspaper advertisement reveals.
A Negro, named Quoshey, aged about 16 years, belonging to Capt.… Continue Reading
UPDATE: The Reading Room will be open from 9 am – 4:30 pm on Saturday, April 20, 2019. Please note that the docent-led public tour of the space will still take place from noon to 1pm, as usual, so researchers who would find that disturbing are advised to plan a lunch break accordingly.
Are you attending the Shakespeare Association of America’s 2019 annual conference in Washington D.C.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
The fourth and final part of the blog post written by the members of the “What Acting Is” seminar.
Part one (Textuality) is here. Part two (Temporality) is here.… Continue Reading
A guest post by Barbara Bono, Arlynda Boyer, Eric Brinkman, Musa Gurnis, Maria S. Horne, Emily MacLeod, Deborah Payne, Melanie Rio, Joseph Roach, Kirara Sato, Katherine Schaap Williams, and Gretchen York
Part three of the blog post written by the members of the “What Acting Is” seminar.
Part one (Textuality) is here. Part two (Temporality) is here.
Mentality
“There is no subtext in Shakespeare,” said Akeem Davis.… Continue Reading
