The Collation

Research and Exploration at the Folger

Posts Categorized: Uncategorized

Postcards in the (home) archive: Meriden Gravure Co. postally unused postcards with messages

A guest post by Stephen Grant Gentle readers, we are now somewhat familiar with Meriden Gravure Co. postcards. Perhaps we had never paid attention to them before. In this post we will look at five Meriden postcards which contain interesting information handwritten on them, but which do not bear a stamp, postmark, or destination. I believe this is the first postcard I’ve shared with you from the Meriden Gravure Co.… Continue Reading

Postcards in the (home) archive: Brenda Putnam and Puck

a guest post by Stephen Grant This post, Dear Readers, is divided into three parts:  3 Kodak AZO postcards of Puck statue 3 Meriden Gravure Co. postcards of Puck statue 1 photograph of Brenda Putnam, Puck sculptor We start with 2 cards printed on Kodak AZO paper, similar to the ones of the 9 Gregory bas-reliefs you examined before.  What differences do we see between the two picture sides, Fig.… Continue Reading

Postcards of the Folger: Richard the Third, Hamlet, First Part Henry the Fovrth

A guest post by Stephen Grant The final three bas-reliefs along the Folger’s north wall are Richard the ThirdHamlet, and Henry the Fourth, Part 1. The images shown here are from the same two sets of postcards that were discussed in the previous two posts. On Dec. 19, 1929, owner Henry Folger, sculptor John Gregory, and architects Paul Philippe Cret and Alexander B.… Continue Reading

Postcards of the Folger: Macbeth, Ivlivs Caesar, King Lear

A guest post by Stephen Grant The next three bas-reliefs along the Folger’s north wall are Macbeth, Julius Caesar, and King Lear. The images shown here are from the same two sets of postcards that were discussed in the previous post.     This post will focus on an anecdote related to the third of these bas-reliefs, the one of King Lear. … Continue Reading

Postcards of the Folger: Midsommer, Romeo and Ivliet, Merchant of Venice

A guest post by Stephen Grant It is my pleasure to show you two early sets of picture postcards of the Folger’s bas-reliefs by John Gregory. On the left you have photographic cards printed on Kodak (AZO) Paper. I’m hoping someone will identify the photographer. On the right you have gravure cards printed by the Meriden Gravure Company of Meriden CT.… Continue Reading

Introduction to a Slightly Modified Theme: Postcards in the (home) archive

A guest post by Stephen Grant The thematic series I started Aug. 12, 2019, “Postcards in the Folger Archives,” has come to a pause.  It has not escaped my dear collational readers’ attention that in my most recent post I relied more heavily on artifacts from my personal collection. It is time to make a prepositional change. I will shift from analyzing postcards in the Folger archives—not accessible due to the building renovation—to postcards for the Folger archives, lying untapped in my Arlington VA home.  … Continue Reading

Emily Jordan Folger and Joseph Quincy Adams

A guest post by Stephen Grant “The Hall was demolished in 1928,” Joan Harrison writes in Glen Cove, Images of America (2008), “for the building of Morgan Park,” named after financier J. P. Morgan. Emily Folger would have known when she sent this postcard in 1932 that the renowned hotel on the North Shore of Long Island was no longer. … Continue Reading

Postcards in the Folger Archives: British Sea Captain John Robinson and Henry Folger

A guest post by Stephen Grant Rosy-cheeked and white-bearded poet, painter, and shipmaster John Robinson of Watford, Hertfordshire was a commanding presence on the bridge of the steamship Minnehaha from 1900 until he retired from the American-owned Atlantic Transport Line due to poor eyesight in 1907. His seafaring career spanned a half-century, starting as cabin boy at a shilling a month.… Continue Reading

Inside the Folger Archives: Uncle Henry’s Pipers

As we all adjust to social distancing and teleworking, I have been reflecting on similar disruptions at the Folger during World War II. And in that vein, I would like to share with Collation readers the story of Uncle Henry’s Pipers—a short-lived recorder quartet—as revealed by ephemera and correspondence in the Folger’s Institutional Archives. The recorder was a popular instrument with minstrels and the upper class in the early modern world.… Continue Reading

First Folger Director: William Adams Slade, Part III

A guest post by Stephen Grant Similar to First Folger Director William Adams Slade, Part II, Part III will be deltiological in only one instance, as we continue to examine connections between Folgers and Slades (for readers seeking more deltiological content, Part I should fulfill those wishes). Closing this series on William Adams Slade, we are able to present a kaleidoscopic picture of the little-known first director of the Folger by drawing from a variety of sources: Mr.… Continue Reading