The Collation

Research and Exploration at the Folger

Posts Categorized: Art

A late 15th-century tapestry fragment with visible restorations

March 3, 2020 | By Erin Blake

Yes, indeed, the Folger collection item the March 2020 Crocodile Mystery is two-toned because of fading (and yes, indeed, it is a tapestry). Congratulations and thanks to Elisabeth, Ed, and Carolyn for their comments. The mystery wasn’t quite solved, though: the darker areas were not protected from light by being folded under or covered by something opaque, as was proposed in the comments.… Continue Reading

Portrait of a Young African Woman

June 11, 2019 | By Guest Author

A guest post by Alicia Meyer The Folger Shakespeare Library houses three etchings of African diasporic people by Wenceslaus Hollar. While we may never know the identities of the figures in these images, Hollar’s artistic choices direct how we see and remember seventeenth-century black lives. In this set of images, the vulnerabilities of youth, gender, and rank, as well as skin color, refract the figures’ agency and influence the viewer’s gaze to different ends.… Continue Reading

Drawn by Hayman, etched by Gravelot, preserved in Folger ART Vol. b72

June 4, 2019 | By Erin Blake

For the June 2019 “Crocodile Mystery” we asked you to spot the differences between these two pictures: The main difference, of course, is that one is pretty much the reverse of the other. There are significant compositional differences too, though: Background figures in A do not appear in B Running man holds out an open palm in A and a sword in B Scabbards and legs in A make oblique angles; in B they are parallel or near-parallel (they’re also moved so that figures in both A and B can draw their swords right-handed).… Continue Reading

About that frontispiece portrait of Hannah Woolley….

September 5, 2018 | By Heather Wolfe

I was delighted by the range of responses we got for last week’s Crocodile post on the identity of the woman in the engraving: Catherine of Braganza, Cleopatra, Lady Frances Egerton, Elizabeth Nash nee Hall (Shakespeare’s grand-daughter), Hannah Woolley, and Sarah Gilly. The answer: None of the above, and some of the above. Sarah Gilly? Some surviving impressions of this portrait have the inscription “The Effigies of M:trs Sarah Gilly,” as does the one above. … Continue Reading

A “lost” drawing by Ellen Terry

August 16, 2018 | By Erin Blake

Is it possible to lose something you never had? The other day I managed to “lose” a 1905 sketch of a theater interior by actress Ellen Terry (1847-1928). I had caught a glimpse of it when sorting through a small group of recently acquired letters, and was looking forward to having a closer look later. As far as I could tell in a glance, it was either a rough sketch looking out from the stage, like this 1768 engraving of the Amsterdam Schouwburg by Simon Fokke (1712-1784): …or it was a rough sketch looking towards the stage, like Simon Fokke’s companion engraving of the same theater: I didn’t want to interrupt my sorting, though, so anticipation about the mystery theater kept building.… Continue Reading

Proof print from the Boydell Shakespeare Gallery

June 5, 2018 | By Erin Blake

As a couple of you guessed correctly last week, the June Crocodile Mystery is a proof for the Boydell Shakespeare Gallery print of Lady Macbeth illustrating Macbeth, act 1, scene 5. In the finished state, which was printed from the same plate after additional work was done on it, the background is darker, and figure of Lady Macbeth has been filled in.… Continue Reading
Letter from Percy Anderson including the phrase "would clash in a terrible way"

Portia in Absentia

May 1, 2018 | By Abbie Weinberg

The guesses on this month’s Crocodile Mystery definitely pointed in the right direction: the mystery image this month is indeed the monogram signature of an artist. But rather than PH, it is PA: Percy Anderson. Anderson (1851-1928) was a well-respected theatrical designer, doing set and costume designs in both London and New York. In London, beginning in 1888, he most frequently worked for Richard D’Oyly Carte at his Savoy Theatre.… Continue Reading

Twentieth-century illustration technique revealed in a “snow Globe”

December 19, 2017 | By Erin Blake

While looking through the Folger collection for snow scenes (it’s that time of year!) I stumbled across this image of Shakespeare’s Globe Theatre, drawn in the 1960s by C. Walter Hodges: It is one of about 900 items in the “C. Walter Hodges collection of Elizabethan and other theatre drawings” acquired by the Folger between 1986 and 1990. Hodges drew it for the 1968 edition of his book The Globe Restored: A Study of the Elizabethan Theatre, published by Oxford University Press.… Continue Reading

Time writing

November 7, 2017 | By Deborah J. Leslie

Chronograms—literally, “time writing”—are dates embedded within text. As such, they are a form of hidden writing called steganography: the encoded characters maintain their own value, but are hidden within a larger text. Easily calculable to those who know what they’re looking for, they still excite the thrill of uncovering secret meaning. That thrill was experienced by this cataloger when, for the first time ever, she came across a chronogram that had been previously unremarked.… Continue Reading