Posts By: Heather Wolfe

Pandemic Paleography

June 16, 2020 | By Heather Wolfe

“I may be losing what are left of my marbles, but in L.b.21 look at the middle wiggly bits of the brackets on the right hand side of 5r (second & third brackets), 5v (1st bracket) 6v (1st & 2nd brackets). Do you see faces in profile with a dot for the eye?” @Noumenon, a volunteer transcriber living in Australia, posed this question a couple of weeks ago on the Talk feature of Shakespeare’s World, a crowdsourced Zooniverse project from 2015 to 2019.… Continue Reading

A Wyncoll’s Tale

March 17, 2020 | By Heather Wolfe and Elizabeth DeBold

Let’s face it, every special collections library has at least a few mystery items in the vault that are quietly passed down over the decades from curator to curator (or cataloger to cataloger, or acquisitions librarian to acquisitions librarian). These items exist in a liminal space of low-level awareness and quietly dissipating institutional knowledge, awaiting the elusive day when they can be remembered and identified.… Continue Reading

Early modern straws; or, quills are not just for writing

October 2, 2019 | By Heather Wolfe

This post is brought to you by John Ward, who observed in the 1660s that a good way to “avoid drinking too much Beer” is to “suck itt in with a quill.” While we tend to think of quills quite narrowly as writing implements, quills in fact had many uses in early modern England. Because they were hollow shafts made of sturdy waterproof keratin, which is perfect for storing and conveying air, liquid, and powder, they had medical, culinary, recreational, and criminal applications as well.… Continue Reading

Uncancelling the cancelled: recovering obliterated owners of old books

April 3, 2019 | By Heather Wolfe

Last week’s Crocodile showed a detail of a cancelled name on the title page of Folger STC 17132. Despite the parallel hatching that was used to conceal it, two Collation readers immediately identified Humphrey Dyson’s distinctive signature. The item note in the Hamnet record describes it as “inscription on t.p. crossed out and illegible,” but watch this space—Folger catalogers will soon update the record to reflect the fact that An answer to the vntruthes : published and printed in Spaine, in glorie of their supposed victorie atchieued against our English Nauie… (London: John Jackson for Thomas Cadman, 1589) was once part of Dyson’s library of 2,000 titles and roughly 6,000 broadsides.… Continue Reading

About that frontispiece portrait of Hannah Woolley….

September 5, 2018 | By Heather Wolfe

I was delighted by the range of responses we got for last week’s Crocodile post on the identity of the woman in the engraving: Catherine of Braganza, Cleopatra, Lady Frances Egerton, Elizabeth Nash nee Hall (Shakespeare’s grand-daughter), Hannah Woolley, and Sarah Gilly. The answer: None of the above, and some of the above. Sarah Gilly? Some surviving impressions of this portrait have the inscription “The Effigies of M:^trs Sarah Gilly,” as does the one above. … Continue Reading

Early modern head lice remedies; or, dealing with pediculosis, Renaissance-style

May 15, 2018 | By Heather Wolfe

With assistance by Beth DeBold This post is dedicated to all those parents and caregivers who have gotten the dreaded phone call while at work: “your child has lice.” You have to drop everything and retrieve your child from school, promising not to return until all traces of nits and bugs have been eradicated. And then the fun begins: two weeks of nightly combing sessions to make sure they NEVER come back, even though you know they will (my tools of choice are a ribbed comb called the “LiceMeister” and an electric zapper called the “Robicomb”).… Continue Reading

Imagining an 18th century Jane Doe

March 21, 2018 | By Heather Wolfe

A fake woman with fake initials and a fake seal? What is going on with these early 18th century affidavits? Curator of Manuscripts Heather Wolfe explores burials, bureaucracy, and "ritualized compliance" in this post about two recent acquisitions.

Was early modern writing paper expensive?

February 13, 2018 | By Heather Wolfe

Many of us have repeated the assertion that writing paper in early modern England was expensive and scarce, but it has always bothered me. After hearing this fairly regularly in response to two common questions —“Why did people write on the endleaves of printed books?” and “Why are there no ‘Shakespeare manuscripts’?”—I started keeping track of paper prices in account books and bills and receipts to see if this was actually true.… Continue Reading

Imagining a lost set of commonplace books

June 7, 2017 | By Heather Wolfe

As observed by one of our respondents, last week’s Crocodile was a detail from a blank leaf bisected by a vertical line in graphite, with a column of handwritten letters consisting of the Roman alphabet followed by the Greek alphabet. The leaf is from a commonplace book. The letters of the two alphabets might have been a way to prepare the page to receive entries in an organized manner.… Continue Reading

Announcing EMMO’s Beta Launch

January 20, 2017 | By Sarah Powell, Paul Dingman and Heather Wolfe

To kick off the new year at Early Modern Manuscripts Online (EMMO), the EMMO team (Paul Dingman, Mike Poston, Sarah Powell, Caitlin Rizzo & Heather Wolfe, with additional thanks to Rebecca Niles) is thrilled to announce the launch of our beta site. Throughout this test period we will add transcriptions and new features to the site, with a view to making EMMO’s corpus an indispensable resource for early modern scholars in the years to come.… Continue Reading