The Collation

Research and Exploration at the Folger

Posts By: Guest Author

Postcards of the Folger: Midsommer, Romeo and Ivliet, Merchant of Venice

A guest post by Stephen Grant It is my pleasure to show you two early sets of picture postcards of the Folger’s bas-reliefs by John Gregory. On the left you have photographic cards printed on Kodak (AZO) Paper. I’m hoping someone will identify the photographer. On the right you have gravure cards printed by the Meriden Gravure Company of Meriden CT.… Continue Reading

A guided tour of an incunabulum from 1478

A guest post by Sujata Iyengar Typography—the design of individual printed letter-shapes—makes printed books easier to read, and it can also shape our understanding and experience of the text and the content that an individual book contains. At first, early printed books imitated the layout and typography of scribal manuscripts. As this new medium—print—matured, however, printers, and even authors, learned how to use the affordances, or media-specific qualities, of printed sheets in order to indicate what kind of book they were creating, what kind of audience they were seeking, and even what kind of emotion they wished to evoke.… Continue Reading

Introduction to a Slightly Modified Theme: Postcards in the (home) archive

A guest post by Stephen Grant The thematic series I started Aug. 12, 2019, “Postcards in the Folger Archives,” has come to a pause.  It has not escaped my dear collational readers’ attention that in my most recent post I relied more heavily on artifacts from my personal collection. It is time to make a prepositional change. I will shift from analyzing postcards in the Folger archives—not accessible due to the building renovation—to postcards for the Folger archives, lying untapped in my Arlington VA home.  … Continue Reading

Emily Jordan Folger and Joseph Quincy Adams

A guest post by Stephen Grant “The Hall was demolished in 1928,” Joan Harrison writes in Glen Cove, Images of America (2008), “for the building of Morgan Park,” named after financier J. P. Morgan. Emily Folger would have known when she sent this postcard in 1932 that the renowned hotel on the North Shore of Long Island was no longer. … Continue Reading

Getting Dressed with the Hermaphrodites

A guest post by Kathleen Long (Editor’s Note: You can read Kathleen’s previous post, Dining with the Hermaphrodites, for a discussion of another aspect the novel.) The inhabitants of the island depicted in the 1605 French novel, The Island of Hermaphrodites, live in a decidedly material world. They do not believe in anything truly spiritual, including the immortal soul, heaven or hell, or divinity in any celestial rather than earthly form.… Continue Reading

Postcards in the Folger Archives: British Sea Captain John Robinson and Henry Folger

A guest post by Stephen Grant Rosy-cheeked and white-bearded poet, painter, and shipmaster John Robinson of Watford, Hertfordshire was a commanding presence on the bridge of the steamship Minnehaha from 1900 until he retired from the American-owned Atlantic Transport Line due to poor eyesight in 1907. His seafaring career spanned a half-century, starting as cabin boy at a shilling a month.… Continue Reading

First Folger Director: William Adams Slade, Part III

A guest post by Stephen Grant Similar to First Folger Director William Adams Slade, Part II, Part III will be deltiological in only one instance, as we continue to examine connections between Folgers and Slades (for readers seeking more deltiological content, Part I should fulfill those wishes). Closing this series on William Adams Slade, we are able to present a kaleidoscopic picture of the little-known first director of the Folger by drawing from a variety of sources: Mr.… Continue Reading

Following the Trail of Counterfeits in the Folger’s Reformation Collection

A guest post by Drew Thomas Among the many collections at the Folger, besides its magnificent Shakespeare Collection, is the Stickelberger Collection of Reformation Tracts. This valuable collection, purchased by the Folger in 1977, was compiled by the Swiss writer and collector Emmanuel Stickelberger (1884-1962). Combined with the previously acquired collection of Reformation pamphlets from the library of Sir Thomas Phillips (1792-1872), the Folger’s Reformation holdings make it a leading center of Reformation resources in North America.… Continue Reading

Marks in Manuals

A guest post by Bénédicte Miyamoto Are these manuals I spy in the workshop? It is impossible to read the spines of the books in the illustration of an artist’s workshop in Salomon de Caus’s 1612 La perspectiue: auec la raison des ombres et miroirs. They are stored in early-modern fashion, with their fore-edges facing outward. Was their content actually taught in the workshop?… Continue Reading

Hooked on Book Furniture…

… corners, clasps (and other interesting metal parts of a book)! A guest post by Dawn Hoffmann What makes these little (and some not so tiny) metal parts so intriguing? Why were they put on these books and who might have made them? How did the artisans get the materials and tools to make them? What kinds of metal are the pieces made of?… Continue Reading