Posts By: Abbie Weinberg

Small Latin and Less Greek

November 2, 2021 | By Abbie Weinberg

with many thanks to Sara Schliep, Bob Tallaksen, Emily Wahl, Nicole Winard, and Heather Wolfe for their generous and careful assistance with this post. They are just a few of the folks who have been working on this project. Thank you for your thoughts on the Crocodile Mystery post last week—as several of you noted, there is both Greek and Latin text on the page.… Continue Reading

Liverpool delft transfer-printed tiles; or, theatrical tiles explain’d

December 1, 2020 | By Abbie Weinberg

Thank you for all of your guesses on last week’s Crocodile Mystery! As several folks correctly surmised, this image is pigment on ceramic! Specifically, it is on a Liverpool delft transfer-printed tile, seen here in full: Jane Lessingham as Ophelia, ART 241098 And if you’re completely confused by the phrase “Liverpool delft transfer-printed tile”, well, I don’t blame you. So let’s break it down: “tile” is pretty self-evident.… Continue Reading

Thoroughly Modern Helena

September 8, 2020 | By Abbie Weinberg

What do Robert Browning, Anna Maria Hall, Geraldine Jewsbury, John Ruskin, and Anna Swanwick, have in common? Quite a bit, actually. But in the Folger’s collection, they were the five “recipients” of Helena Faucit’s essays that formed the volume On Some of Shakespeare’s Female Characters. Helena Faucit (Lady Martin, later in life—her husband Theodore Martin was knighted as reward for his biography of Prince Albert, and both were confidants of Queen Victoria) began her London theatrical career in 1836, at the age of 22.… Continue Reading

Heraldic Colors

July 7, 2020 | By Abbie Weinberg

Yes, indeed. The letters in this month’s mystery image are B, O, and G, and they represent what is missing from the image: color! The mystery image is a detail of a coat of arms in Folger MS V.b.256, which is a compilation of coats of arms granted by Robert Cooke (Clarenceux King of Arms) and Richard Lee (a later Clarenceux King of Arms), and others, between about 1570 and 1600, when the manuscript was written.… Continue Reading

Mellow Yellow and 50 Shades of Grey: the challenges of bi-tonal images

February 4, 2020 | By Abbie Weinberg

Well, I’m afraid our mystery image might have been a little too mysterious. For those of you still playing along, the mystery image from last week is an image from a microfilm of Folger MS D.a.6 that seems to show multiple pages on top of each other. Here is the full double page opening for context: Doesn’t help much, does it?… Continue Reading

Let there be light! Kliegl lights on the New York Stage

December 3, 2019 | By Abbie Weinberg

Once again, I seem to have underestimated the level of esoteric knowledge held by our readers. Y’all are delightful (and I’m guessing have worked technical theater at some point…). Yes, yes, indeed. The Crocodile Mystery posted last week does seem to be referring, despite the… umm… creative spelling, to a Klieglight. The image itself comes from Folger manuscript T.a.81, which contains lighting plots for productions of Romeo and Juliet, Twelfth Night, Taming of the Shrew, Merchant of Venice and Hamlet.… Continue Reading

Snakes! on a … book?

May 21, 2019 | By Abbie Weinberg

“What is that?” someone asks, pointing to the corner of one of the books open for display. “This? Oh, it’s a book snake. Most useful object in the library!” I reply. This conversation happens once in nearly every book display I do. People are fascinated by these little objects that are so ubiquitous in a special collection reading room that many of us hardly notice them.… Continue Reading

To bind: Ligatures in Aldine Type

May 9, 2019 | By Abbie Weinberg

Yes, indeed. As many of you quickly identified, each of the images in this month’s mystery post contain at least one ligature. In fact, all of the images are from a single set of type: the Aldine italic that was used at the press in Venice run by Aldus Manutius in the early part of the 16th century. These ligatures are one of the things that make this italic type so interesting to those studying the history of books and typography.… Continue Reading

Theatrical Bills and Receipts

January 15, 2019 | By Abbie Weinberg

Folger manuscripts W.b.110 and W.b.111 are an oddly mis-matched pair. W.b.110 is nearly 46cm tall (almost 18 inches, for those playing along at home) and nearly 160 leaves, while W.b.111 is a good 10cm shorter and about a third the length. But both have nearly identical titles in our catalog: “Bills and receipts for the wardrobe, stage properties, writings and printing” (W.b.111… Continue Reading

De Acupunctura: Willem ten Rhijne and Bringing Eastern Medicine to Europe

November 6, 2018 | By Abbie Weinberg

I am continually in awe of the depth and breadth of knowledge that our readers possess. Y’all are truly excellent. Yes, the answer to the Crocodile Mystery is, as several people answered, a chart of the acupuncture points on the head. Here is a slightly wider shot of this part of the diagram: And here is the diagram in full, showing the points on the back side of the body: This diagram, along with several others, appears in a book written by the Dutch physician Willem ten Rhijne, published in London in 1683 (but more on that in a moment).… Continue Reading