The Collation

Research and Exploration at the Folger

Posts Tagged: printing

Printers and authors in 1659

John Ward’s sixteen notebooks, once they are fully transcribed for EMMO, are going to be an incredibly rich source for nearly everyone who thinks about or studies early modern England. Most people have heard about them because of John Ward’s references to Shakespeare in three volumes: Folger MSS V.a.292, V.a.294, and V.a.295. We’ll be showing one… Continue Reading »

Publishing Against the King: French Civil War Pamphlets

From 1648 to 1653 a civil war, known as the Fronde, raged in France, with the nobility and most of the people of France on one side, and the royal government under the child-king Louis XIV and his hated chief minister, Cardinal Mazarin, on the other. The main cause of this civil war was resentment… Continue Reading »

Correcting with cancel slips

Thanks to my last post, when Mitch Fraas and I were looking at how different copies of the same book handled having a printer error (Judas instead of Jesus, in that case), I’ve spent the last week with cancel slips on my mind—those pieces of papers that are pasted in to correct printing mistakes. Once you… Continue Reading »


Simran Thadani’s wild guess for the December Crocodile Mystery, backed up by Martin Antonetti and Deborah J. Leslie, is our winner. This month’s image is a close-up of the lower right edge of a mezzotint engraving. The lines that look like warp and weft are, in fact, rows of tiny black dots crossing each other… Continue Reading »

A practical look at the Practical Science of Printing

In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to understand how early printing works, so I was delighted to learn that the Folger acquired a copy of the book from the Veatchs in September… Continue Reading »

It’s the details thnt matter

There were two odd things happening in last week’s crocodile mystery, which featured an opening from the first English edition of Nicolàs Monardes’s Joyfull newes out of the newe founde worlde (STC 18005). The first was the easier to spot, assuming you paid attention to the information at the top of the page that we don’t usually… Continue Reading »

Proof prints, part two; or, Proofs and proofiness

Last month’s post from me (your friendly neighborhood art historian) looked at trial proofs and progressive proofs (see Proof prints, part one). As promised, here’s a look at a third kind of proof in printmaking: proofs that aren’t really “proofs” as such, just “proofy,” to adapt Stephen Colbert’s terminology. Traditionally, a proof is a test impression… Continue Reading »

Proof prints, part one

Last time I posted on The Collation (Two disciplines separated by a common language, 30 April 2013), I went off on a bit of a rant about vocabulary barriers between printed pictures and printed words. Guess what? There’s more! That post mentioned edition, copy, state, impression, and plate, but deliberately omitted the word “proof.” Those other… Continue Reading »

Secret histories of books

This month’s crocodile mystery was a bit more challenging than recent ones (perhaps not helped by my cryptic “suitable for April” introduction), but Aaron Pratt guessed the gist of it: the image was a detail of a page printed in black, usually referred to as a mourning page. Here is the full context, with the… Continue Reading »

Detective Work: The Dutch Fingerprint (Part I)

Previous Collation posts may convince even the most skeptical reader that bibliographic work often requires detective work. In some cases, this may involve bibliographers to take fingerprints. Fingerprints are regularly used by bibliographers to find out whether or not two copies are printed from the same setting of type. Roughly speaking, identical settings in two… Continue Reading »

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