The Collation

Research and Exploration at the Folger

Posts Tagged: artists’ books

Storming Shakespeare: creating an artists’ book

A guest post by Jan Kellett Editor’s note: When the Folger acquired the lovely artist’s book Storming Shakespeare from Jan Kellett last year, Erin Blake asked if she would be willing to share some information with our readers about the making of the book. The post that follows is Kellett’s account of the inspiration and physical process of creating Storming ShakespeareContinue Reading

A carousel of tragedy

We are used to thinking of productions of Shakespeare’s plays as creating new works of art that demonstrate the vitality of the centuries-old drama. But in the right hands, books can achieve the same effect. Emily Martin’s The Tragedy of Romeo and Juliet, by William Shakespeare, published by Naughty Dog Press in 2012 and acquired by the Folger last year (ART Vol.… Continue Reading

Wagner and Shakespeare meet in Bayreuth

Back in August, I posted about a unique artists’ book  from 1995. Today, I’d like to showcase an example from the other end of the twentieth century, an artists’ book created in 1908 by American painter Pinckney Marcius-Simons (1867–1909). In his altered copy of a French edition of Shakespeare’s A Midsummer Night’s Dream printed in 1886, watercolor and gouache (opaque watercolor) cover every page from edge-to-edge.… Continue Reading

Sue Doggett’s The Tempest, a unique artists’ book

Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers of this one-of-a-kind book encounter Shakespeare’s text through Doggett’s artistry, where her choices of paper, lettering, imagery, texture, and color help interpret the selected scenes.… Continue Reading