The Collation

Last Friday a much-anticipated package arrived at the Folger, containing a series of fifteen deeds describing the successive ownership of two adjacent properties on Fleet Street (“The King’s Highway”) in London from 1543 to 1735. Deeds can be tedious to…

Michael Witmore, Director of the Folger Shakespeare Library With this post, we inaugurate a Q & A series with Folger staff. It seems fitting to start off with one of the most recent and most public members of the Folger…

Forty-five years ago, Folger Director Louis Wright used his annual report to describe the Library as a haven for student-weary faculty: The time has come when someone should give a word of commendation to long-suffering faculties, and provide them with…

Greetings Dear Readers! Welcome to the first in a series of “tooltips” about how to access and best utilize online resources for conducting research at (or away from) the Folger Shakespeare Library. New bibliographic records and finding aids, and new…

Conventional wisdom sets up two distinct experiences of Shakespeare’s plays: readers encountering a text, and audiences encountering a performance. The Folger recently acquired a 1995 version of The Tempest by London book artist Sue Doggett that complicates the distinction. Readers…

One of the great things about running the @FolgerResearch twitter account is pulling together the Wednesday Wunderkammer from the Folger Digital Image Collection. It’s a chance for me to explore what’s in the constantly growing collection, making new discoveries and…

Seventy-nine.  In the same year the Folger Shakespeare Library turns seventy-nine years old, it updates a number that since the founding of the library has helped define the strength of its collection. It’s the number that was found on all…

For many people, the copier is probably the first place they first encounter the idea of collating. Do you want the copier to collate your 50 copies of that 3-page document? Or do you want to turn your 3 piles…