October 14, 2014
by Sarah Werner

Finding women in the printing shop

Today is Ada Lovelace Day, a day that celebrates not only the achievements of Ada Lovelace—the 19th-century mathematician and computing pioneer—but the achievements of all women in the fields of science, technology, engineering, and maths. It’s a chance not only to encourage women to enter STEM fields, but to acknowledge the sometimes forgotten of women’s past achievements in these fields.

For a few years now, those of us interested in the hand-press period have used Ada Lovelace Day as an opportunity to celebrate early women printers. This year, I thought I’d describe an exercise I’ve done with students that not only introduces them to some basic book trade research techniques but surprises them with the appearance of women in those records.

title page of Jocelin's The Mother's Legacie

title page of Elizabeth Jocelin’s The Mothers Legacie, here in its third impression

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October 9, 2014
by Erin Blake

Folger Tooltips: New Hamnet URL and search limit

We’ve recently made two small but significant improvements to Hamnet, the Folger’s online catalog—not enough to be worth a fanfare of “New and improved!” but probably at least worth pointing at while saying “Still old, but less irksome!”

The first change is so obvious you’ll wonder why it took so long: Hamnet’s hostname now matches its name-name. Go to hamnet.folger.edu and you’ll get (surprise!) Hamnet.

Hamnet stable URL with arrow pointing to the word hamnet

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October 7, 2014
by Sarah Werner

When is an inscription not an inscription?

Two folks identified the key elements of this month’s crocodile mystery in their comments: Misha Teramura correctly noted that the inscription in the middle of the page—“pp. 184-190 refer to the progress of religion westward toward America”—refers to George Herbert’s final poem from The Temple, “The Church Militant.” And David Shaw noted that the other inscriptions—“8652″ on the top left and “A176″ on the bottom right—look to be an accession number and a shelf mark.

But let’s back up for one moment to understand why I find these marks interesting. The book in question is a first edition of George Herbert’s The Temple (STC 13183). It’s an interesting work, and a popular one in the 17th century. And as you can see from the notations on the front pastedown and the recto of the first free flyleaf, it’s a work that was prized by later collectors.

The pastedown and first free flyleaf of George Herbert's The Temple (STC 13183)

the pastedown and first free flyleaf

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October 2, 2014
by The Collation

“What manner o’ thing is your crocodile?”: October 2014

What might we say about this month’s crocodile mystery?

October crocodile (click to enlarge)

October crocodile (click to enlarge)

As always, the mystery is not only what this thing actually is, but why it might be of interest. Leave your guesses in the comments below and come back next week for the reveal!

Update October 7, 2014: The reveal is now revealed in “When is an inscription not an inscription?

September 25, 2014
by Heather Wolfe

What to eat after a long morning’s work in the Star Chamber

Well, if it’s fish Friday, the menu consisted of… fish! Fish, glorious fish. Thirty or more courses of fish, including oysters, ling, green fish, salt white herring, salt salmon, salmon, great pike, smaller pike, crayfish, roach, great carp, smaller carp, roasting eel, stock fish, chub, tench, chevin, perch, bream, salt eel, loach, flounder, smelt, gurnard, shrimp, whiting, plaice, trout, lamprey, lobster, crab, knobbard, turbot, fresh cod, haddock, barbel!

Here’s a sample menu from a Star Chamber dinner on a so-called fish, or “fasting” day, from Friday, April 30, 1591.

Fish, fish, fish, and more fish.

Dinner on a Friday: fish, fish, fish, and more fish: oysters, ling, salt salmon, green fish, great pikes, smaller pikes, great carps, smaller carps, breams, tenches, great roasting eels, knobbards, perch, trout, flounder, barbels, chevins, chubs, soles, creyfish, plaice, pearls (a variant of brill), gurnards, prawns, lobsters, crabs, mackerel, whitings, fresh salmon and a chine of salmon. As well as herbs, cream, pounded butter, apples for tarts, eggs, oranges and lemons, barberries, rose water, quinces, and other fruit.

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September 18, 2014
by The Collation

Q & A: Paul Dingman, EMMO Project Manager

face-pic_Paul-DPaul Dingman started at the Folger Shakespeare Library in late May of this year as the Project Manager for EMMO (Early Modern Manuscripts Online). Before that, he served as a Visiting Assistant Professor at Alfred University where he taught classes in history and literature of the medieval/early modern periods. Paul earned his Ph.D. in History from the University of Rochester in 2013; he also has an M.A. in Theatre from the SUNY University Center at Albany. Most of his research focuses on the cultural history of pre-modern Europe, especially the ways in which imaginative literature often reveals submerged ideas or attitudes; he wrote his dissertation on the expression of noble friendship in popular epic poems, romances, and drama as well as in contemporary letters, treatises, and chronicles. In between (and sometimes during) his scholarly pursuits, Paul worked many years in the field of Information Technology on projects ranging from providing software instruction to designing databases to managing networks, software upgrades, IT budgets, and websites. These dual career paths have complemented each other well and helped lead to Paul’s keen interest in the digital humanities along with more traditional humanistic studies. While attending a panel this past April on data visualizations of historical documents at the Society for French Historical Studies (SFHS) Conference in Montreal, he heard the word “centaur” used (positively) to describe individuals who feel at ease in both the academic and computing worlds and has since adopted that label with a smile.  Continue Reading →

September 16, 2014
by Sarah Werner
1 Comment

Surprised by Stanhope

My favorite encounter with a book is one where I think I know what I’m going to find, but then something else entirely happens. My most recent serendipitous encounter came thanks to a tweet: Sjoerd Levelt was tweeting some images for #FlyleafFriday and shared an image of one of the Folger’s books, a copy of Francis Bacon’s Advancement of Learning that has as its flyleaf the last leaf of John Selden’s Titles of Honor (STC 1166 copy 6):


That’s pretty fun in and of itself (and you can see more images of the flyleaves and binding in our digital image collection), but Sjoerd noticed something else. Among the various ownership marks on the opening is a lightly penciled annotation, “Shakespeare mentioned on page 225.”  Continue Reading →

September 12, 2014
by Erin Blake
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Folger Tooltips: Getting raw Hamnet data

Non-librarians out there, have you ever clicked the “MARC View” or “Staff view” link in an online catalog record? In Hamnet, the Folger’s online catalog, it’s the third choice at the top of each record. Image of MARC View button I vividly remember the first time I did. It was back when I was building a relational database to manage my dissertation research (and back when I thought I wanted to be an Art History professor). I’d been carefully recording information about early modern printers’ names, printing locations, dates, and subject matter in different fields in my database, and was incensed to discover that the information had already been broken down in the library catalog, but “they” were hiding it from me! Continue Reading →

September 8, 2014
by Sarah Werner
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Constructing volvelles

As Elizabeth Bruxer correctly identified within a few short hours of its posting, this month’s crocodile mystery showed the inner disc of an unconstructed volvelle from a copy of the 1591 edition of Giambattista della Porta’s De furtivis literarum  notis (STC 20118). The key to her identification lay in recognizing the image as being part of a volvelle and guessing that it was connected to ciphers. (Read her comment for a full elucidation of how she solved the mystery.)

What I showed you last week was just one inner disc, although the “3” written below it might have clued you in that there were other similar objects. A view of the full page opening makes it more clear, I think, what we’re looking at:

the inner discs of unconstructed volvelles, bound in after sig. I4

the inner discs of unconstructed volvelles, bound in after sig. I4 (just before the first volvelle on sig. K1r)

There, in the upper right-hand corner is our disc number 3, along with a nearly identical disc labeled “1” and at the bottom of the page, disc 2. Why would these discs be numbered? So that the person constructing the volvelles knows which frame they belong to:  Continue Reading →