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The Collation

Category Archives: conservation

23 July 2012
by Erin Blake
2 Comments

How (not) to mend a tear

Going through a box of early 19th-century playbills recently, I was puzzled to see something paper-clipped to an area of loss on the right-hand edge of a bill, as if someone had attached a little note to it:

Categories: art, conservation | Tags: paper repair, playbills | Permalink

16 April 2012
by Rhea DeStefano
1 Comment

Rehousing our tinsel print collection

Tinsel prints are a unique English art form from the early and mid-19th century. They are typically composed of metal foils, fabric scraps, leather, feathers, and any other suitable material glued onto printed portraits of actors and actresses. Theatrical tinsel … Continue reading →

Categories: art, conservation | Tags: theater history, tinsel prints | Permalink

5 March 2012
by Erin Blake
0 comments

The road to Acquisitions Night 2012

This Thursday is Acquisitions Night, the annual benefit to support Folger collections. It’s something of a three-ring circus: buffet dinner in the Great Hall, conservation demonstrations at one end of the Paster Reading Room, and—in the center ring—dozens of newly-acquired … Continue reading →

Categories: acquisitions, art, conservation | Tags: Acquisitions Night | Permalink

26 January 2012
by Heather Wolfe and Georgianna Ziegler
6 Comments

A newly uncovered presentation copy by Margaret Cavendish

Heather: The other day I received an email from the Conservation Lab with the subject line: “Annotation found on the verso of a lined frontispiece,” and a link to a couple of images, one taken under ultraviolet light. The conservators … Continue reading →

Categories: collections, conservation, exhibitions, programs | Permalink

31 October 2011
by Erin Blake
0 comments

A ghost for Halloween

I’d like to say that I cleverly scheduled the installation of Benjamin Wilson’s William Powell as Hamlet encountering the Ghost for last Friday so that the Founders’ Room would have a ghost in time for Halloween. Unfortunately, there were witnesses … Continue reading →

Categories: art, collections, conservation, exhibitions | Permalink

Recent Posts

  • Ten copies of the “bad” 1640 Sonnets in good and bad shape
  • Looking like a book
  • Learning to write the alphabet
  • Pen facsimiles of early print
  • “What manner o’ thing is your crocodile?”: May 2013

Recent Comments

  • @john_overholt on Ten copies of the “bad” 1640 Sonnets in good and bad shape
  • Sarah Werner on First Folios online
  • H. J. Neuhaus on First Folios online
  • @bradamant on Learning to write the alphabet
  • Sam Kaislaniemi on Learning to write the alphabet

blog authors

  • Erin Blake
  • Rhea DeStefano
  • Jim Kuhn
  • Caryn Lazzuri
  • Deborah J. Leslie
  • Kathleen Lynch
  • Michael Poston
  • Goran Proot
  • Nadia Seiler
  • Adrienne Shevchuk
  • Carrie Smith
  • Sarah Werner
  • Heather Wolfe
  • Georgianna Ziegler

categories

  • acquisitions
  • art
  • books
  • cataloging
  • conservation
  • crocodile mystery
  • digital resources
  • exhibitions
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  • staff profiles

past posts

  • —2013 (28)
    • +May (5)
    • +April (7)
    • +March (6)
    • +February (4)
    • +January (6)
  • +2012 (76)
    • +December (6)
    • +November (6)
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    • +September (6)
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    • +July (7)
    • +June (6)
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    • +April (6)
    • +March (7)
    • +February (6)
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  • +2011 (34)
    • +December (7)
    • +November (7)
    • +October (8)
    • +September (8)
    • +August (4)

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@FolgerResearch

  • Coming soon--new interactive apps from @luminaryshxpr based on Folger editions of Shakespeare's plays! http://t.co/MtQBfCJu69 1 day ago
  • What makes a book good? Considering ten copies of the 1640 edition of Shakespeare's sonnets http://t.co/o86AY5toka 1 day ago
  • Can a 17C printer stay anonymous? Nope! Identifying Spinoza's printer, thanks to typography: http://t.co/buyBxz7ea1 (h/t @john_overholt) 2 days ago

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