The Collation

Research and Exploration at the Folger

Monthly Archives: June 2013

Noticing the weirdness of texts

Sometimes it’s fun just to look at books without worrying what they are and who printed them and what the text says. And sometimes, when you do that, you notice all sorts of ways in which they’re weird—they mix manuscript and print together, they play with layout and movement, they come in different shapes and… Continue Reading »

Proof prints, part two; or, Proofs and proofiness

Last month’s post from me (your friendly neighborhood art historian) looked at trial proofs and progressive proofs (see Proof prints, part one). As promised, here’s a look at a third kind of proof in printmaking: proofs that aren’t really “proofs” as such, just “proofy,” to adapt Stephen Colbert’s terminology. Traditionally, a proof is a test impression… Continue Reading »

The Single Vine Leaf, aka the “Aldine Leaf”

I have always been a devotee of the “Aldine leaf”, even long before I knew its exact name or where it actually came from, and I am still delighted spotting it in early modern typography or when it is expertly used in current printed material. As with most delicate things in life, it should be… Continue Reading »

Shakespeare’s personal library, as curated by William Henry Ireland

Co-written by Heather Wolfe and Arnold Hunt It’s every bibliophile’s dream. You’re in a bookshop, or maybe at a local auction, browsing idly along the shelves. It’s late in the afternoon and you’re just preparing to leave, when you spot a bundle of old pamphlets loosely piled in a cardboard box. At the very bottom of the… Continue Reading »

An alter’d case: An annotated copy of The Roaring Girl

A guest post by Victoria Myers [Editor’s note: Victoria Myers was a student in the Fall 2012 Folger Undergraduate Seminar taught by Sarah Werner. As part of that course, Victoria researched the history of a copy of the first printing of The Roaring Girl (STC 17908). She continued her research for her capstone project for her… Continue Reading »

Annotating and collaborating

This month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): There is a lot that could be said about Gabriel Harvey and his habits of reading. ((Two places to start are Virginia Stern, Gabriel Harvey: his life, marginalia, and library (Oxford UP, 1979) and Lisa… Continue Reading »

“What manner o’ thing is your crocodile?”: June 2013

The last few crocodile mysteries have zoomed in on details. Here, for a change of pace, we’re zooming out to a full-page spread: In the past crocodiles have been about categories of objects, not necessarily the specifics. But a few of you might recognize exactly what this is and who is responsible for it, and… Continue Reading »