June 28, 2013
by Sarah Werner
Comments Off on Noticing the weirdness of texts

Noticing the weirdness of texts

Sometimes it’s fun just to look at books without worrying what they are and who printed them and what the text says. And sometimes, when you do that, you notice all sorts of ways in which they’re weird—they mix manuscript … Continue reading

June 25, 2013
by Erin Blake
Comments Off on Proof prints, part two; or, Proofs and proofiness

Proof prints, part two; or, Proofs and proofiness

Last month’s post from me (your friendly neighborhood art historian) looked at trial proofs and progressive proofs (see Proof prints, part one). As promised, here’s a look at a third kind of proof in printmaking: proofs that aren’t really “proofs” as … Continue reading

June 17, 2013
by Heather Wolfe and Guest Author
9 Comments

Shakespeare’s personal library, as curated by William Henry Ireland

Co-written by Heather Wolfe and Arnold Hunt It’s every bibliophile’s dream. You’re in a bookshop, or maybe at a local auction, browsing idly along the shelves. It’s late in the afternoon and you’re just preparing to leave, when you spot a … Continue reading

June 10, 2013
by Sarah Werner
1 Comment

Annotating and collaborating

This month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): There is a lot that could be said about Gabriel Harvey and his habits of reading.1 He was a scholar, … Continue reading