The Collation

Research and Exploration at the Folger

Monthly Archives: October 2012

A new copy of Foxe’s Actes and Monuments

The Folger Shakespeare Library already has two copies of John Foxe’s Actes and Monuments, published in 1570, so why would we want another, especially as it is only volume 1, of a two-volume set? The answer provides a good example of how we decide what rare items to add to the collection. We purchased this volume in June from Bonham’s auction house in London.… Continue Reading

Folger Tooltips: Digital image database logins and media groups

Dear Fellow Collators: Today’s post focuses once again on powerful but perhaps under-utilized features of our digital image databases. Recent tips have dealt with saving static URLs to get back to previous searches or to individual images, and saving static URLs to get back to multiple images arrayed on a workspace. One thing has been true for these tips (and for that matter all previous digital image database tooltips): there are many ways to make good use of these resources without ever registering or logging in with a personal account.… Continue Reading

The Return of the Prodigal Painting(s)

I’d guess that few people look at Appendix III in the back of William L. Pressly, Catalogue of Paintings in the Folger Shakespeare Library (Yale University Press, 1993). Appendix III is unillustrated, not very detailed, and rather depressing: it’s the list of paintings that are no longer part of the Folger collection. In all, sixty-three paintings were de-accessioned between 1961 and 1964.… Continue Reading

Second Thoughts on Second Editions. The Dutch Fingerprint (Part II)

In my previous Collation post I explained what a bibliographic fingerprint is and how it works. The examples I will discuss in this post will demonstrate how useful the fingerprint is to compare copies remotely and to identify title editions and variants within editions. Some of these discoveries may shed more light on (bad) habits in book production and the marketing of books in the early modern period.… Continue Reading

An exercise in collaborative editing: Anthony Bagot’s letters and Nathaniel Bacon’s pirate depositions

As part of their paleography training, my paleography students always spend a bit of each afternoon working in pairs on transcriptions. It gives them a break from being in the “spotlight” as we go around the room reading manuscripts line by line, and allows us to shift from reading out loud to the detail-work of semi-diplomatic transcription. Two or three sets of eyes are much better than a single set in terms of efficiency and accuracy, and students learn from each other in a way that they can’t learn from me.… Continue Reading

embroidered bindings

So last week’s crocodile mystery was nailed by Aaron Pratt within a half-hour of my posting: what you see below is, as he notes, an embroidered binding depicting David and Goliath and covering a Book of Psalms, in this instance, one from 1639. … Continue Reading